The Noble and
Enchanting Story of
How Black Thunder
Entered My Life,
and How Practice Always
Pays Off
Letter to Chet in
Boulder:
(This is the
story I never wanted to publish. It is a story of shame and hubris
and infamy, and every time I've told it, listeners encouraged me
through tears and gales of laughter to definitely do just that. It
is the story which should never have been as true as I'm afraid it
is, I am ashamed to givein to the urge to let it take its rightful
place among many so-called Sam-Stories. It is the tale of an
accordion.)
Defense Language
Institute Monterey, August 1987
First I should explain that
I've always loved the accordion and the versatility of its abilities.
My own, by contrast, leave something to be desired, hence the
occasionof this ridiculous anecdote.
When Agni and I flew to
Chicago last December, I still did not own an accordion, nor did I
actually intend this trip to materialize one. My full 120-base white
and used Americano or Amerago or Arrivederci
went to the pawn shop for thirty bucks before I left for Ft. Dix
Basic Training. He was really in the market for one, you know,
ofthis quality, as he'd only had about two shelves of them and they
were selling like flap-jacks at the chow hall.
We met John Cunningham while
in Chicago, and he'd just come down fromt he Montana backlands to
peddle real Christmas trees to Chicagans – wait, Chicagoans.
Myself, I was mostly employed that weekend in chauffeuring a certain
young – if that word could apply – Rinpoche about town. I got to
know the City, or parts therein, pretty well as driving goes. Mine
has been beyond reproach, by the way, since we'd left Austin. So
John wanted help unloading the trees and Agni and I agreed that we
had to have a concertina for this, to squeeze out carols,
notwithstanding the conspicuous absence of any snow .
She called one place, Walles
Music, which happens to be the accordian capital of the USA if
not beyond. They would not rent a concertina to us, but when I went
down there they helped arrive at the conclusion that I didn't come
all the way to The Big Windy to rent a concertina but indeed
to purchase a robust new 120-base accordion. It was a tad
smaller than the white, and was just what I'd have envisioned had I
been in the market again, and a nice subdued solid black, all of
which suited me. I downpaid the fifteen bucks cash which freed up my
pockets so I could walk around Chicago with my hands in them, and by
June it was all paid off and in my hands. Black Thunder
became the long awaited addition to my barracks room, which by the
way, is like Motel-6 style accomodations inside a Monterey-Spanish
Holiday Inn quality building overlooking the peninsula, its woods and
the ocean. When asked upon its arrival, why I got the thing, I
replied cryptically, “Oh, just an ocean of mine.“ Yeah, war is
hell, light my Cuban and freshen my drink.
The Practical Story of
the Texan and the Big Apple
A Texan visiting Manhattan
stops an elderly Jewish man on the street, meaning to ask directions:
“Pahd'n me, suh, but c'id yew tell me how I git to Carnegie Hall?“
The New Yorker replies with
a delicate hint of admonition in the wave of his hand: “Practice,
practice …!“
How I Loved Black
Thunder
The squeeze-box to me is a
living thing, like the harmonium, and I cherish it as such. After a
half-hour of fiddling around on it (can you do that with an
accordion, fiddle around I mean?) I can spend hours just trying out
new possibilities. I understand now, after many such hours, that I a
m a sick man and I am seeking help right now from those who have come
out of the closet and are willing to admit that they have had
sufficient, even loads of experience with this. You see, whenit
comes right down to listening to me – well I'm about as popular
with it as John Cunningham's Montana-grown Christmas trees in dry
Chicago. Neither of us would break even with what we do.
What Really Happened At
Graduation
“The
horror, the horror of it all, the horror...“ (Col. Kurtz,
Apocalypse Now)
Chet,
you know me too well to forgive me for what I've done, I only expect
you to cover the next round of drinks after you've fully digested the
shame and the horror of what I am about to relate.
My
graduation day from Egyptian dialect, following a delightfully
grueling year of standard Arabic, was approaching. A briefing was
held the previous Friday, attended by some classmembers and myself,
and those from other classes, other languages, mostly strangers to
me. Hey – I had no idea what I was going to do when I went in
there, in that ex-hangar now-auditorium they called The Tin Barn, I
just wanted to have done with it like the next guy. Then I noticed
something about this Air Force Staff-Sergeant briefing us, that
struck me in a way which rather minimized the remarkable impression
her logistical talents had already made on every one of us sitting
there. She vaguely reminded me of a girl I'd known in school years
ago...
My
classmates know me well enough that I need to be watched and
monitored, as skillfully as possible, or my behavioral instincts will
kick in and cause them usually avoidable regret. I swear I
had nothing up my sleeve – nor my pant leg when I'd walked
in there. Even as we all filed out like buffalo off a cliff I had
nothing in mind, until I caught a dangerously familiar smirk edging
its way like a San Andreas Fault across my soldierly punim, my eyes
literally steered my body around and my feet followed suit.
Without so much as a ponderous stroking of my stubbled chin, I strode
over to this NCO as she concluded some last minute business – and I
got right down to business. Alone with her in a conspiratorial
huddle I proposed...a plan. “Sergeant,“ I said, with that
relaxed and confidant air of intimacy with which NCOs usually
addressed each other – yet assuming with my half-turned smile that
she would notice my brilliant idea was sheer kidding, that she would
get it (with a bare touch of hope that she wouldn't): “I could
wrangle out a mean 'Pomp and Circumstance' on the accordion at
graduation if you'd like.“ She didn't get it. She bit.
“Great!“
she said without reservation, and she was not joking. “But
what I'd really like is if you would play 'The Star-Spangled
Banner'...“ She looked right at me and she meant it. I
fixed my best Dennis Quaid held-gaze on her, testing the
moment. And then it happened: that was it, I bit.
Sure,
I'd get back with her Monday. I went straight to my deluxe room and
worked it out after a shower and a few bangs on the head against the
tiled wall for being so stupid – and a few dance steps on my
carpeted floor for the daringness of it all. Is it any wonder that
I've had three roommates leave town for good since I arrived here?
Sharing this in strict condidence over lunch in our cafeteria with my one real fellow-hoodlum, Jenna-of-the-Wild-Hair, a beauty then and a beauty to this day, with very dangerously prankish Scots blood in her veins, she said, characteristically, "Saaam,I love it!" Then chillingly adding: "Wouldn't it be great if you blew it!" That ended lunch, with an Arabic phrase, "la' jinnani!" - a play on her name and capabilities, translating: "don't start driving me insane!"
It
sounded great, the key was right, and I spent the weekend working out
a couple or three chords and practicing the coordination of it all.
If played smoothly and well, the acoridon can and will produce a
round of the National Anthem – right, any national anthem – equal
to a big brass band, and I do mean a good one. I practiced secretly
all week, informing no one who would be attending the ceremonies, and
only a couple who would not. And I'm quite comfortable with
audiences, however large – as long as I have a clue what I'm doing
and I knew this had to be note-perfect, as it was not an
improvisational setting nor jamming around in a night club nor even a
company picnic. I knew everyone woudl be standing at attention (and
at my mercy), that my name with the National Mayhem would have top
billing on the program, that behind me would be standing high Brass
and academic supervisors and hoity-toity ex-thises and ex-thats, ad
nauseum. Well, we're coming to the nauseum shortly.
I knew
that what would really be useful would have been a dry run on the
stage prior to everything else that morning, but that in the absence
of this opportunity, I had to settle for waiting in the wings and
going over it softly. One highly placed gentleman said it would be
far better than that phony piped-in band music we were listening to
at that moment as the hall filled with graduating Arabs, Russians,
Germans, Eskimos and assorted weirdos and their respective families.
I knew that if it came off as well as I'd envisioned, it would be a
beautiful gesture of farewell to my stay here. And I drew inspiration from Robert Preston's Prof. Harold Hill in "The Music Man," who taught the "think method"! Of course, he was a con-artist.
And
then it happened: I was asked by some high-ranking NCO whether I
actually knew what I was doing. I knew that I didn't need that;
and neither did he, because he sort of gulped and appeared a bit
shaken when I nodded my assurance and informed him that I'd just
gotten the thing a month ago. I knew I could do it, I knew that my
growing sense of doubt would abate, this gnawing would all pass the
moment I stood out there turning on the juice. No crowd, no Air
Force E-5, no Brasso, no ammo. Just hair-raising tones of national
collective exaggeration.
What I
did not known, and did not fully grasp until I walked out there, was
that I do not know who to play the accordion. I mean, I knew but not
really – until just then. My friends and classmates who were
standing at attention at that moment would gladly have pointed this
simple fact out to me had they but known I was so much as
contemplating this feat – which now was turning to cold feat.
Shall I describe what went on behind me among the esteemed guests of
honor, speakers from officaldom? Suffice it to say, they wer
profoundly moved. As for my class, they bit their lips out of the
warmth and affinity they were feeling toward me just then, great
humored as they were. All the others stood open-mouthed – and they
were not singing this “Star-Mangled Banner“ I'm afraid.
Nor
will they ever again, without wincing, after I'd finished with 'em.
Four hundred-odd people with one oddball on the stage squeezing out
the strains of a strained patriotism that morning, teaching them a
whole new perspective on humor. The look on my entire row of fellow-Arabic graduates with whom I'd just spent 15 months of intensive classtime, as I took my seat among them, was worthy of any sit-com. I spent the rest of the weekend
between hysterical appreciation and horrified agony just
reminiscing it all. One classmate told me afterward that there
wasn't a dry eye in the house. Another thought it was the best
rendition of “Bridge
Over Troubled Waters“ he'd ever heard. Still another met me with a drive-by revenge hit a day later as I was strolling across the green; he stopped at a foot's distance, rolled down his window, and grinning, cold-bloodedly handed me the following, which required a week on intensive and lots of stitches - my God, I thought, seems some people just have no sense of humor:
They
did not take one stripe away from my dear Air Force seargeant - who'd whispered a nod of encouragement as I left through the wings and darted outside to re-enter and take my seat (my mind screaming "Now! Run for it - run!!"), nor
have they shipped her off to some post in Alaska sorting mail to the
seals. How did I know that Monday after the briefing, when
I'd hand-delivered that fresh spring flwoers arrangement to her desk
with a note: "Val, 'The Star-Spangled Banner“ is on! - Sam",
that she wouldn't insist on hearing me first? I don't know
everything, least of all Lady of Spain and Melancholy Baby.
As I
walked back to the wing the Major or Colonal at the podium off to the
side, wheezed out a strained, “Thank you, Specialist.“ Thank God
I didn't do any stand-up just then. Immediately following was the
Chaplain who stood there and saved the horribly awkward moment with a
well-placed “Now let us pray.“ No shit, Sherlock. Still, no
clues either.