TODAY: "Anti"fa, "SJW"s, #MeToo-fakes àla-"Feminist" celebrity class - and of course, the Gutmensch supporters of the above mentioned:
1984: "Two-Minutes Hate"
https://www.youtube.com/watch?v=XvGmOZ5T6_Y
If you want to really know what is in store for GERMANY, what is lurking in the Merkel-State - already either long in planning, or long in effect, or sometimes in gradual and sometimes sudden steps, or just even on the table - you need look no further than the EU-Parliament in BRUSSELS itself, or more glaringly, at SWEDEN, to get the gruesome reality facing the sleeping populations and growing movements of the awakened and the active Resistance.
To graphically grasp this -
and I am being as literal here as I can, not literary - watch the
following listed three well-known classics. As listed:
1. 1984 (the actual 1984 version with John Hurt and Richard Burton). We just finally caught the nicer 1956 version, which had its strong points but copped out on the ending entirely, understandably wanting to give a more hopeful view. Stick with the later John Hurt version, which fully captures Orwell's novel in detail, doesn't shy away from the naked horror of what Orwell is telling us - and telling us NOW. Only the Hurt/Burton version shows it according to Orwell's dark vision, as he wrote it, as he'd intended it to be grasped, then and now. The 1956 version played with the ending, leaving you nothing of what Orwell was crucially telling us. Watch this again, even if it's the 100th time for you - and think of Germany under Merkel now. I'm still arguing with the Wife over this. So watch both if you want. The '50s version gives you a heroes' ending, leaving out also the "boot-on-the-face" line which so captures Orwell's warning. (Spoiler: in the '56 version love triumphs: in the '84 version - Orwell-true - it does not.)
2. Fahrenheit 451 (Oskar Werner, Julie Christie). There is only one, no discussion necessary. We sat there in renewed horror as we listened to the starkly revealing DIALOGUE ALONE in BOTH films, and looked sideways at each other, our stomachs churning. WE ARE THERE, we are moving full speed in that direction. Should the AfD and all the Resistance fail. We are there where the rubber hits the road.
3. They Live (Roddy Piper and Charlotte Rampling). Easily viewable right on Youtube. Touches entirely on The Lie, very simple parable. Delightfully low-budget truth-giver.
You watch these, think of SWEDEN, think of GERMANY. BRUSSELS actually wants SWEDEN to increase and accelerate its own horror, and Merkel sees this as her role-model for GERMANY. Capiche?
1984: "Two-Minutes Hate"
https://www.youtube.com/watch?v=XvGmOZ5T6_Y
If you want to really know what is in store for GERMANY, what is lurking in the Merkel-State - already either long in planning, or long in effect, or sometimes in gradual and sometimes sudden steps, or just even on the table - you need look no further than the EU-Parliament in BRUSSELS itself, or more glaringly, at SWEDEN, to get the gruesome reality facing the sleeping populations and growing movements of the awakened and the active Resistance.
1. 1984 (the actual 1984 version with John Hurt and Richard Burton). We just finally caught the nicer 1956 version, which had its strong points but copped out on the ending entirely, understandably wanting to give a more hopeful view. Stick with the later John Hurt version, which fully captures Orwell's novel in detail, doesn't shy away from the naked horror of what Orwell is telling us - and telling us NOW. Only the Hurt/Burton version shows it according to Orwell's dark vision, as he wrote it, as he'd intended it to be grasped, then and now. The 1956 version played with the ending, leaving you nothing of what Orwell was crucially telling us. Watch this again, even if it's the 100th time for you - and think of Germany under Merkel now. I'm still arguing with the Wife over this. So watch both if you want. The '50s version gives you a heroes' ending, leaving out also the "boot-on-the-face" line which so captures Orwell's warning. (Spoiler: in the '56 version love triumphs: in the '84 version - Orwell-true - it does not.)
But wait - what
a FIND! I'd never known of this still earlier original - the gray
horror is guaranteed, but PAY ATTENTION TO THE DIALOGUES! Orwell-loyal,
it's all there, and voilà: you have not only the UNO/WHO/Deep-State globalist agenda of today - which in fact extends back in planning since these 1984-productions themselves, and not only teh EU agenda - you have exactly where GERMANY is headed as
I write:
George Orwell's 1984 - 1954 BBC TV Movie
(If you'd watch just these several minutes alone, of this production, starting at 12:30 to 16:00, you will get IN FACT exactly where we already are in Merkel's Red-Greens GERMANY TODAY - for ... as victims of "SJW" violence well know: there is not only "Thought-Crime", there is also "Face-Crime"!)
https://www.youtube.com/watch?v=ba4J6umbbp0
George Orwell's 1984 - 1954 BBC TV Movie
(If you'd watch just these several minutes alone, of this production, starting at 12:30 to 16:00, you will get IN FACT exactly where we already are in Merkel's Red-Greens GERMANY TODAY - for ... as victims of "SJW" violence well know: there is not only "Thought-Crime", there is also "Face-Crime"!)
https://www.youtube.com/watch?v=ba4J6umbbp0
2. Fahrenheit 451 (Oskar Werner, Julie Christie). There is only one, no discussion necessary. We sat there in renewed horror as we listened to the starkly revealing DIALOGUE ALONE in BOTH films, and looked sideways at each other, our stomachs churning. WE ARE THERE, we are moving full speed in that direction. Should the AfD and all the Resistance fail. We are there where the rubber hits the road.
3. They Live (Roddy Piper and Charlotte Rampling). Easily viewable right on Youtube. Touches entirely on The Lie, very simple parable. Delightfully low-budget truth-giver.
You watch these, think of SWEDEN, think of GERMANY. BRUSSELS actually wants SWEDEN to increase and accelerate its own horror, and Merkel sees this as her role-model for GERMANY. Capiche?
